The Canadian pavilion at the Venice Biennale has been transformed into a living climate system through the installation titled “Entre chien et loup,” created by Montreal artist Abbas Akhavan. The pavilion features controlled humidity and temperature to mimic the Amazon rainforest and includes an above-ground pond with Victoria water lilies sourced from the Royal Botanic Gardens in London. The installation highlights the complex histories of the water lily, named after Queen Victoria, and raises questions about the relationship between nature, imperialism, and access to environmental resources. Akhavan’s work invites viewers to consider who has the privilege to engage with and protect nature, especially in the context of global conflicts and climate change. The Biennale, a major international art event, showcases diverse interpretations of contemporary issues through national pavilions.
Why It Matters
The Venice Biennale is a prestigious platform for artists globally, often influencing their careers significantly. The themes presented can reflect pressing global concerns, such as environmental sustainability and the legacy of colonialism. Abbas Akhavan’s focus on the Victoria water lily connects to broader discussions about how imperial powers have historically classified and controlled natural resources. This installation underscores the ongoing challenges related to environmental conservation and social equity, especially as climate change impacts continue to escalate worldwide.
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