In the early 20th century, the Motion Picture Patents Company, or “The Trust,” dominated the film industry under Thomas Edison, enforcing strict licensing and exploiting independent exhibitors. Carl Laemmle, an independent theater owner, defied this monopoly by showcasing films from non-Trust producers, sparking legal battles and raids on his theaters. He cleverly formed a distribution network with other independents and used counter-lawsuits to challenge The Trust’s legal grip. Laemmle’s showmanship and marketing prowess turned him into a public champion for independent film, ultimately challenging the status quo.
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