Olly Murs says scrutiny of his body is 'madness'

Tony Gilroy, known for his work on Andor, revealed on The Playlist’s The Rogue Ones podcast that he once pitched a unique black-and-white James Bond film set in the 1960s, alongside Steven Soderbergh. Despite having a compelling villain and a fresh concept, the idea was rejected due to the franchise's tight creative control, but with recent changes in Bond's ownership, such bold storytelling may become possible. Need More Context? 🔎

At a press event in Manila for Superman, fans experienced a remix of John Williams' iconic theme, infused with modern electric guitar elements, reflecting director James Gunn's vision to blend nostalgia with innovation. This new score aims to honor the legacy of the original while setting a fresh tone for the film, which is set to premiere on July 11, 2025. Need More Context? 🔎

Bristol City Council has initiated a one-week fundraiser aiming to raise £100,000 to acquire JMW Turner's earliest-known oil painting, "The Rising Squall," which depicts the Avon Gorge and was rediscovered after being lost for 150 years. Phillip Walker, the council's head of culture, emphasized the painting's significance as the first and possibly only oil work of a Bristol scene by Turner. Need More Context? 🔎

Inside London's first romance-only bookshop, Sarah Maxwell showcases the "smut hut," a section for erotic titles, while challenging the stigma surrounding romance fiction. With UK fiction revenues surpassing £1bn, attitudes towards the genre are shifting positively, though some still perceive it through a sexist lens. Need More Context? 🔎

Did you get tickets to Glastonbury festival this year? Not to worry if not, you can watch from the comfort of your own home on BBC iPlayer. This week also marks the end of Squid Game with its third season, Brad Pitt's new film F1 hitting UK cinemas, and Hideo Kojima releasing the sequel to Death Stranding. Need More Context? 🔎

VFX Artists React Episode OverviewThis episode of Corridor Crew's VFX Artists React focuses on Marvel’s original Iron Man and the evolution of the suit's visual effects throughout the franchise. It also examines visual effects from Altered States and Blue Thunder, appealing to film enthusiasts interested in the filmmaking process. Need More Context? 🔎