At Sundance Film Festival, a Sense of Uprooting Onscreen and Off

On Monday, Jenkins was onstage at the festival, producing “Sorry, Baby,” a directorial debut by Eva Victor that explores power, depression, and friendship. Meanwhile, “Rebuilding,” a neo-western by Max Walker-Silverman, offers a critique of rugged individualism in Southern Colorado. Despite Sundance leaving Park City, the festival remains a vital platform for talented filmmakers, showcasing groundbreaking work like Steven Soderbergh’s “sex, lies and videotape” and Ava DuVernay’s “Middle of Nowhere.”

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