The American opera director Yuval Sharon, who directed a 2016 production of Mr. Eotvos’s 1998 opera, “Tri Sestri,” in Vienna, described his music as rigorous yet his gentle, soft-spoken spirit gives his work its unique character and pathos. Mr. Sharon called the opera, based on Chekhov’s play “Three Sisters,” “unquestionably one of the great operas of our time” and noted that it was while working with Mr. Eotvos that he realized the emotional depth invested in the work.
Mr. Eotvos, who is otherwise reserved, expressed his inner life through music. In a 2020 documentary, he mentioned, “In everyday life I’m not a dramatic person at all. Perhaps this veiled dramatic trait can only come to the surface if it has a job to do.”
He shared how the Soviet cosmonaut Yuri Gagarin’s historic flight into outer space in 1961 inspired him to compose the piano work “Kosmos” at the age of 17. This event shaped his life and influenced pieces like the 2017 concert piece “Multiversum.”
Before gaining recognition as a composer, Mr. Eotvos played a significant role in the development of late-20th-century music. As a key figure in the musical avant-garde, he promoted the musical ideologies of Pierre Boulez and Karlheinz Stockhausen, who were prominent in postwar European music.
Throughout his career, Mr. Eotvos mentored young composers and conductors, establishing the International Eotvos Institute in 1991 and the Peter Eotvos Contemporary Music Foundation in 2004. He also taught at various music institutions in Germany before returning to Hungary in 2004 when the country joined the European Union.
