Death Stranding 2 is much more approachable, if you’re prepared

JLab has launched its new Party line of wireless speakers, featuring customizable RGB lighting and four models ranging from the budget-friendly $19.99 Pop Party to the high-end $149.99 Epic Party. The lineup emphasizes portability, sound quality, and synchronized sound and lighting effects through "LabSync technology," allowing up to 100 speakers to connect simultaneously. Need More Context? 🔎

The all-electric VW ID Buzz has been upgraded to an autonomous driving version, the ID Buzz AD, designed for commercial fleets with Level 4 autonomy. Equipped with advanced sensors, it aims to provide sustainable public transit solutions, starting with Hamburg and expanding to rideshare services with Uber in Los Angeles by 2026, while facing high initial costs for transport companies. Need More Context? 🔎

United Launch Alliance (ULA) has initiated the countdown for the deployment of Amazon's second batch of Project Kuiper internet satellites, as showcased in a time-lapse video of the Atlas V rocket's movement to the launchpad at Cape Canaveral, Florida. ULA chief Tory Bruno highlighted the significance of this launch in advancing satellite internet connectivity. Need More Context? 🔎

U.S. consumers cite issues with public electric vehicle charging and recharging times as primary reasons for rejecting EVs, according to J.D. Power. However, improvements are underway, with a rise in fast chargers, partnerships with Tesla's network, and advancements like "Plug and Charge" technology, leading to a decrease in charging failures from 20% to 16% in early 2025. Need More Context? 🔎

Tesla launched its robotaxi service in Austin, Texas, on June 22nd, though it is invite-only and includes safety monitors in the vehicles. The service operates in a geofenced area with limited hours, and initial reactions have been mixed, with some customers experiencing delays in accessing the app and reporting minimal interaction with safety monitors during rides. Need More Context? 🔎

Director Danny Boyle shot his iconic film “28 Days Later” using Canon digital cameras, which allowed for the eerie depiction of an abandoned London and lent a terrifying immediacy to the fast-moving zombies. For the long-awaited sequel, “28 Years Later,” Boyle has opted for a different piece of technology, signaling a new approach to the film's visual storytelling. Need More Context? 🔎