A24’s new horror film, Backrooms, directed by Kane Parsons, attempts to translate the unsettling internet phenomenon of endless yellow hallways into a feature-length narrative. Despite the film’s ambitious premise and commitment from its talented cast, including Chiwetel Ejiofor and Renate Reinsve, the result is largely seen as underwhelming. Critics have noted that the film’s repetitive scenes and lack of engaging story fail to build suspense or emotional resonance. The screenplay, co-written by Will Soodik and Roberto Patino, hints at deeper themes of trauma and regret but ultimately does not deliver a coherent narrative. Viewers have expressed disappointment with the film’s inability to evoke fear or tension, rendering it forgettable despite its intriguing concept.
Why It Matters
The Backrooms concept originated from a viral internet meme and has inspired various adaptations, including video games and short films, reflecting the cultural significance of digital horror. A24 has a reputation for producing and distributing unique films that challenge conventional storytelling, making Backrooms a noteworthy addition to their catalog. However, the film’s reception underscores the challenges of adapting internet lore into traditional cinematic formats, highlighting the difficulties filmmakers face in balancing atmosphere with a compelling narrative. This film’s mixed reviews may influence how future projects based on internet phenomena are approached in the film industry.
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